A New Chapter for Stellar Vocals: Welcoming Bernard Greene Growth, when done right, is intentional. It’s not about getting bigger—it’s about getting better. At Stellar Vocals, that’s always been the focus. And with that, we’re proud to welcome Bernard Greene  to the team. Bernard is a seasoned vocal coach with over two decades of experience developing singers. Since 2001, he has worked extensively with worship teams and choirs, helping vocalists build control, confidence, an

Most singers today are surrounded by information. You can find diagrams of the larynx, videos explaining resonance, warmup routines for every genre, and endless opinions on how the voice works. It is amazing how much knowledge is available, but sometimes the noise gets so loud that singers forget the most important truth: You learn to sing by doing. My earliest training wasn’t shaped by books or vocal pedagogy. It came from a ninety year old Italian maestro named Mario Lauren

I’ll never forget this one lesson. She walks in—first time, brand new student. Big personality, great energy, super fun to talk to. Not...

In the world of music, there’s an age-old adage: Practice makes perfect.  But how we practice is what truly sets the foundation for...

In the vast ocean of singing, there’s one challenge that nearly every vocalist has faced at some point: going off pitch. It can feel...

Music is often referred to as a universal language, but what does that truly mean? It means that music has the power to convey emotions,...

The Three Types of Singers: Interested, Committed, and Obsessed — And Who Really Makes It? Every singer starts somewhere, often with a...

If you are a classically trained vocalist looking to expand your repertoire and explore contemporary vocal styles like R&B, you may feel...

As a vocalist, understanding vocal register control is essential for producing various tones and styles in your singing. There are two...

It was long and demanding, but I did it. I’m officially a certificate holder from Berklee College of Music’s Online Division. When I enrolled, I wanted to push myself, challenge my assumptions, and grow as both a vocalist and a teacher. What I didn’t expect was how much this program would reshape the way I think about singing altogether. Before Berklee, I cut my teeth in the opera world. My foundation was built under the guidance of a ninety-year-old Italian maestro, Mario La